In Concert: Symphony Space's Just Kidding

Full disclosure: I grew up a half-mile from Symphony Space on Manhattan's Upper West Side (I recall going to some of the very earliest Selected Shorts readings in high school, back before they'd become an institution all unto themselves), and it will always hold a special place in my heart. (I was very sad to see last week the news of the recent death of one of the venue's founders, Isaiah Sheffer, a man who epitomized the vibe of the Upper West Side of my childhood.)

But it had been a long time since I'd set foot inside the place—enough time for it to undergo a massive renovation, in fact—until I had kids and learned about the Just Kidding series there. Turns out the series features concerts by, oh, pretty much all the children's musicians I write about on this blog: Remaining on the schedule for this season are the likes of Justin Roberts, Gustafer Yellowgold, Elizabeth Mitchell, Uncle Rock, and Frances England, and past seasons have included all our family's favorites that aren't mentioned in that list (Recess Monkey, Secret Agent 23 Skidoo, Lunch Money...).

There are also several other cultural shows for kids in the series, from ballet (a performance of The Nutcracker coming up in early December) to percussive dance to acrobatics; my older son and I just saw and thoroughly enjoyed philharMONSTER, an orchestral performance of Halloween-themed music by a pair of local NYC student orchestras (which was no less enjoyable for having had to be postponed until well after Halloween, thanks to Hurricane Sandy). Ticket prices are in the $15 to $25 range generally, and all of it is well worth checking out if you're a parent anywhere in the New York area.

[Image courtesy of Symphony Space]

New Music: Rabbit Days and Dumplings

When I first heard that Elena Moon Park, one of the regulars in Dan Zanes's band for some years now, was coming out with an album of East Asian folk songs of her own, I was pretty confident it was going to sound fantastic before I ever heard a track. Park has long since proved herself a remarkably skilled and adept musician on the Zanes albums, and contributions from the likes of Zanes himself (who also executive-produced) and the Kronos Quartet made the album sound even more promising.

It doesn't disappoint—in fact, if anything, Rabbit Days and Dumplings surpasses my high expectations, for two reasons. The first is Park's remarkable arranging skill. Whether she's staying close to a song's Asian roots (as in "Ti Oh Oh," from Taiwan, and the Japanese fisherman's song "Soran Bushi," which I was thrilled to rediscover years after encountering a choral version of it in college) or Americanizing it somewhat (as with the opening track, "Sol Nal," which has a Zanes-y feel to it, as well as the Beatles-esque "Summer Is Here" and several others), Park has a knack for setting a song in an especially fresh way, using a wide variety of instrumentation in the process.

The second is Park's voice itself, which is a revelation: I'd heard her, of course, singing backup on the Zanes albums for years, but I had no idea she'd sound this amazing as a soloist! Her singing is warm, clear-toned, with a surprising power and strength—and always incredibly appealing.

So I'm not surprised in the slightest that Rabbit Days and Dumplings immediately shot to the top of the list of repeated-play requests from our two boys upon arrival in our house. It's pretty much irresistible. All I can add is: Dan, you gotta let Park sing some more solos!

[Image courtesy of Festival Five Records]

New Music: Grammaropolis

Since I'm on a grammar kick of late, I should mention a second source of no-really-it's-fun learning on the subject that Dash has been obsessed with lately: Grammaropolis, an album of songs about language and parts of speech. The CD came out earlier this year, but recently came to my attention on its reissue with a new iPad/iPhone app, which nicely complements the subscription-based learning Grammaropolis website.

If this sounds like a little entertainment-based-learning empire, that's because it is; former middle-school teacher and current children's-book author Coert Voorhees, aka the Mayor of Grammaropolis, devised the website—which anthropomorphizes parts of speech to show what they do and how they work, giving each its own "neighborhood" kids can explore. (It's been a real success, winning the National Parenting Center's Seal of Approval this year; it costs $3.99 a month, or $34.99 annually to subscribe.) The new Word Sort by Grammaropolis iPad/iPhone app ($1.99) adds a game to the proceedings, in which kids try to put each word in its proper category.

But its the album itself, which features both the Mayor himself and songs by kids' musician Doctor Noize, that is delighting our seven-year-old most right now. The good Doctor—known in real life (I assume) as Cory Cullinan—proves quickly to be a master of pastiche rivaling the creators of the classic Schoolhouse Rock bits (he even tosses in a few sly references to them—e.g., a repeated "hallelujah" in the backing vocals to a techno-tinged sing about interjections). Cullinan is also an alarmingly accomplished musician, not only writing and arranging the clever songs in a multitude of styles (everything from classic silent-movie-accompaniment piano to a Steely Dan homage) but also playing nearly every instrument you hear—keyboards, guitars, horns, you name it.

Most of all, though, both the Doctor and the Mayor are funny, which is really what makes the album irresistible to kids. (A particular favorite of Dash's is the song in which the supercool character Slang crashes a radio program on which the Mayor had intended to stuffily condemn nonstandard vocabulary.) And that, in turn, lets all the grammar lessons the songs are really about just seep in without really even feeling like learning. As those of us who can still recite the preamble to the U.S. Constitution mainly because Schoolhouse Rock set it to music all those years ago, it's remarkably effective.



[Cover image courtesy of Doctor Noize]

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New Music: Ozomatli Presents OzoKidz

I'll admit to having been spoiled a bit by They Might Be Giants. It was hard not to be, when a band of which I had already been a longtime fan chose the period when we had our first child to make a marvelous crossover into kids' music—and proceeded to put out four instant classics, still the strongest series of albums in the genre. Even beyond the high quality and the dazzling ease of their transition (beyond subject matter, TMBG didn't really have to change that much about their sound or songwriting), there was also a personal psychological effect: Look, I thought. I'm listening to They Might Be Giants with my infant son. This parenting thing doesn't have to change everything!

Of course, I was dead wrong about that—and not only because my subconscious expectations that Husker Du, the Smiths, and Bauhaus would each reunite to put out kids' albums were never fulfilled. (I'm still holding out hope for Smashing Pumpkins.) I learned to accept that life had changed, a lot, and went on to discover a whole slew of great kids' musicians, some with a history of recordings of "adult music" I wasn't previously familiar with (Secret Agent 23 Skidoo, Lunch Money), others with no professional background in music for nonkid audiences at all (Recess Monkey).

Which is why I was so blown away when I heard that L.A.-based masters of eclecticism Ozomatli had moved into the genre and were coming out with a full-length kids' album, Ozomatli Presents OzoKidz. I've been a fan of this band and its unique blend of urban sounds—hip-hop, ska, reggae, and about eight different varieties of Latin music, all fused together by a blistering-hot horn section—since their 1998 debut album. (Whitney and I even had "Cut Chemist Suite" on our wedding-reception playlist.)

Ozomatli wouldn't have been the first band I'd have expected to make the move to kids' music—their sound in their heyday had a satisfyingly hard edge, and they're renowned and somewhat revered for their raucous-good-time live shows. But while the songs on OzoKidz are as a whole a gentler than the sum effect of the band's early albums, I was thrilled to find that they're still absolutely true to their sound—the mixing and melding of musical types is still here, as are those fantastic horns (used to great effect on "Moose on the Loose" and "Balloon Fest," among other tracks).

The result is an uptempo album with suitable kid lyrical content (as the song titles I just mentioned indicate) that kids find irresistible, while retaining enough of the band's sophisticated sound to make parents happy, too. In addition, thanks to Ozomatli we have now discovered, somewhat to my wife's dismay, that four-year-old Griffin loves bachata.

OK, Billy Corgan. You're up.

[Cover image courtesy of Ozomatli]

Update: I just learned right after posting this about the OzoKidz Chalk Art Contest. In the band's words, here's the scoop:

Folks who purchase the new OzoKidz CD at participating independent record stores will receive a FREE OzoKidz chalk box, which contains a link to the bonus track "Vamos a Cantar."

Kids (and parents) everywhere are invited to enter the OzoKidz Chalk Art Contest!

Entry Details: All you have to do is re-create the OzoKidz album cover art on your driveway or sidewalk—or, for the bonus prize, create a visual representation of the bonus track "Vamos a Cantar" using the OzoKidz chalk. Send us photos of your artwork and we'll pick the best ones. Winners will receive an OzoKidz prize pack!

Send photos to ozofans@gmail.com.

When sending photos, entrants must include the OzoKidz chalk box in the photo. For a list of record stores participating in the chalk-box giveaway, please visit: http://www.recordstoreday.com/Home. Please call your local store to confirm they have the items. For more information and updates, visit www.ozomatli.com/ozokidz.

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New Music: Little Seed

As many public radio stations mentioned at the time, this past July 14 marked the hundredth anniversary of Woody Guthrie's birth. Among all his other great musical achievements, Guthrie recorded an album of songs for kids way back in 1947 (it's still—or, I should say, again—in print, actually!).

Modern-day kids' musician Elizabeth Mitchell, whose last album, Sunny Day, was one of our family's favorites of 2010, marked that anniversary by putting out her own collection of Guthrie's kids' songs—many from that very album, though others (like the not-actually-written-for-kids "This Land Is Your Land") are also here. On Little Seed, Mitchell as usual gives each song her uniquely sweet gentle touch (these versions have far fewer rough edges than Guthrie's originals), and is joined by family members and other musical friends on many tracks.

This is a quiet, thoughtful interpretation of what are often the simplest of songs, with titles like "Why, Oh Why" and "Grassy Grass Grass" (not actually as Ron Burgundian as it seems)—Guthrie's songwriting tended to be simple, if always powerfully so. As such, it makes for a particularly great album to listen to with infants and the youngest of toddlers, though older kids will certainly enjoy it as well. (Even if Mitchell chose, in the end, not to cover "Goodnight Little Arlo"!)

[Cover images courtesy of Smithsonian Folkways]

New Music: Spicy Kid

It's been a summer of plenty for our family when it comes to kids' music: Nearly all our favorite artists have put out new albums, and every one seems to maintain or surpass the respective musicians' previously high standards.

The most recent example is South Carolina's Lunch Money, who hadn't exactly been inactive since their last release a couple of years ago—they've had tracks on some kid-music compliations, and lead singer Molly Ledford has lent her warm, sounds-like-a-smile voice to a number of other bands' albums via guest-track appearances. (Clearly, Lunch Money understands the vital performer's art of leaving its audience wanting more.)

The band's fourth CD, Spicy Kid, gets its name from the gingerbread man of fairy-tale legend, whose point of view is the focus of the album's first track. As with most of these songs, though, there's more going on here than it seems: The album title (shared with that of the second track) serves as a metaphorical jumping-off point for an exploration of kids with attitude, as well.

And all the songs are like this—the album is really directed as much at parents of young children (among which number Ledford counts herself) as at the children themselves. It's definitely the first kids' CD I've heard to get into issues like the feeling of sneaking along the hallway to check on your sleeping child without waking him up ("Awake"), or that moment when you realize the "spell the word out so your kid doesn't understand what you're talking about" ploy isn't gonna work anymore ("S.P.E.L.L.").

Ledford's lyrics—and singing style—handle these subjects with just as much wonder and wryness as the best parent blogs do. And yet (unlike some of those parent bloggers, myself included) she never ends up merely doing the parental version of navel-gazing, either: She always finds a way to provide these lyrics, and the songs as a whole, with a viewpoint that appeals directly to kids as well. (After all, our children have their own perspective on sneaking along hallways at night, don't they?)

All the while, Lunch Money upholds its well-deserved rep as one of the just-plain-best-sounding kid bands around. In fact, between the band's musicianship and Ledford's easy, laid-back vocal style (which has already established her in my mind, at least, as one of the signature voices of today's kindie music), you might take this album to be a strong college-radio outing (with '90s influences like the Lemonheads, R.E.M., and even the softer side of Dinosaur Jr.) if you weren't listening to the lyrics too closely.

All of which is to say: For such an approachable, listener-friendly album, Spicy Kid is pretty darn sophisticated. And I know I always say this with these bands, but we already can't wait to hear what Lunch Money does next.

[Cover image courtesy of Lunch Money]

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New Music: Science Fair

I guess the first big wave of all-star music compilation albums for charity came in the 1980s, coming off the high-profile all-star singles of Band Aid and USA for Africa (though really George Harrison's Bangladesh concert in the mid-'70s probably inaugurated the general concept). Following the premise that whatever was big during the childhoods of those of us who are now parents will become big anew in children's entertainment, it's not shocking that we've started to see some great all-star kid-music compilations of late. The great thing these—besides the no-longer-even-remarkable fact that the genre indisputably has more than enough leading lights to fill several such CDs—is that the best ones give kids and parents a chance to sample the genre, and perhaps even find some new favorite artists.

The very best compilation I've come across is 2010's Many Hands: Family Music for Haiti, which raised $50,000 for relief after the Haitian earthquake, and now the label behind that album, Spare the Rock Records, has its second release. Science Fair was created to address the continued underrepresentation of women in science-related fields—all its net proceeds will be donated to Girls Inc.'s science-education program—and accordingly, it features songs about science written and performed by many of the kid genre's top female artists. (It's even co-produced by two of them, Elizabeth Mitchell and Lunch Money's Molly Ledford, along with Bill Childs and the ubiquitous Dean Jones.)

Many of our family's favorite artists are here with typically top-notch contributions—the aforementioned Lunch Money and Mitchell, as well as Frances England, Barbara Brousal (whose name may be unfamiliar, but whose gorgeous voice is unforgettable to any parent who wore out Dan Zanes's first several albums), and Secret Agent 23 Skidoo (here backing up MC Fireworks, aka his daughter, on the ebullient "Rocket Science"). A couple of bands known for their non-kid music make an appearance as well: '90s Brooklyn rock band Babe the Blue Ox with the dissonant, new-wave-y "Surfin' Minnesota" (which our three-year-old has dubbed his top pick on the album); and Mates of State with a fitting cover of Guided by Voices' "I Am a Scientist" (the video for which is below!).

And yet, the tour de force of the album, by vote of all four members of our family, is the somewhat lesser known—at least on the East Coast!—Lori Henriques's lyrically adept "Heisenberg's Aha!," in which she somehow manages to explain the uncertainty principle in the style of Kurt Weill. (And it's catchy—our seven-year-old pressed "repeat" several times after the first play!)

It all adds up to another top compilation from Spare the Rock that makes contributing to a good cause a doubly pleasurable experience.



[Cover image courtesy of Spare the Rock Records]

New Music: In Tents

I sometimes worry that my enthusiasm for Recess Monkey has reached a point of absurdity, but I come by it honestly: The Seattle "teacher-rockers" (as they are now both truthfully and marvelously billed) have long been our family's favorite kid-music band, one of the few that gets my wife as excited about a new release as the two boys are.

I mentioned a little while back that they had just such a new release coming up soon, and, well, here it is: In Tents, the band's eighth(!) album, this one themed around circuses. It took just one listen at our house to see that it more than meets the high standards set by Recess Monkey's previous seven: Within minutes, both of our sons were hopping around the room to "Popcorn" (still their favorite off the album...though "Human Cannonball" and "Odditorium" are pretty close, come to think of it...and "Bouncy House"...OK, I'll stop).

The band's sound is astonishingly tight, as always, and the trio continues to push at their own musical boundaries, as they've done with each new album, experimenting with new sounds and instruments and even production techniques. (They're helped along this time in that last respect by the producer of In Tents, the ubiquitous Dean Jones.)

In fact, as Stefan Shepherd of the indispensible kids'-music site Zooglobble wrote in his review of the album, it feels absurd to burden any band by calling them the "Beatles of children's music"...and yet, with every one of their albums, it becomes harder and harder to avoid using just that phrase. They are most certainly the Fab...uh, Three of kids' music in our household.

I should also mention once more that they are a great band to see live with your kids, and that there are opportunities on both coasts to do so in the immediate future: In their hometown of Seattle, they're playing a bunch of shows to celebrate the release of In Tents with a real, live circus, Teatro ZinZanni; there are four of those shows left, on June 23 and 24, and July 14 and 15. (The show looks fantastic—for a taste, check out the full-length video below that Recess Monkey has put on YouTube.)

And for those of us on the East Coast, well, we don't get the circus, but we get several shots at Recess Monkey themselves: a free morning show on July 24 at NYC Summerstage in Rufus King Park in Queens; two admission shows on July 24 and 25 at 2 p.m. at the Long Island Children's Museum in Garden City; and another free outdoor morning show on July 26 in Madison Square Park in Manhattan at 10:30 a.m. My boys would be the first to tell you they're well worth the trip!



[Cover image courtesy of Recess Monkey]

New Music: Shake It Up! Shake It Off!

Twenty years ago, Seattle was the epicenter of new music for us Gen-Xers...so I suppose it's not surprising that in 2012, it would be the epicenter of the new wave of music for kids. (This is, it must be faced, where our generation is right now.)

Nor should it therefore be a shock that Seattle would be the first city in the country, as far as I know, to have a family-music compilation entirely created by local bands. (Or at least the first I've heard of.) Put together by parenting website ParentMap, Shake It Up! Shake It Off! is essentially a "best of Seattle kindie music" album, featuring top (previously released) tracks by the likes of Recess Monkey, Caspar Babypants, and the Not-Its!. Like most compilations, it's a great way to test the waters for parents who aren't already familiar with these artists, and find out which you and your kids respond to most.

In addition, ParentMap is donating $3 of each $12.95 purchase of the album to one of 14 participating nonprofits, from Ashoka to Washington Green Schools.

[Cover image courtesy of ParentMap]

New Music: Make Believers

Spring brings many wonderful things each year, but I only recently realized that one of them is "new albums from all my family's favorite kids' musicians." Lo and behold, what do we have here but Make Believers, a brand-new release from another top-of-the-personal-charts artist, the man who made hip-hop safe for kids' music and vice versa, Secret Agent 23 Skidoo?

First off, to anyone who isn't already familiar with 23 Skidoo, and is therefore sensibly skeptical that hip-hop for kids can be any good: This guy is the real deal, an Asheville, North Carolina–based hip-hop veteran who's spent the last five years or so bringing serious old-school beats and rhymes—think the late 1980s—to a pint-size audience. (As is so often the case, having a kid of his own—who's a featured rapper on every one of his albums, by the way—seems to have had something to do with that.) Yes, the subject matter is a little different than that of your average Public Enemy or KRS-One track, but the music and the flow will definitely set parental heads bouncing properly while they bring our kids to their feet.

23 Skidoo is letting his music for kids grow with his family, logically enough, and so Make Believers is aimed at a slightly older audience than his previous albums were: preteens, rather than the youngest elementary school kids and preschoolers. Accordingly, there's a shift in the sound—while the album as a whole remains family-friendly, a couple of tracks, like the hard-edged "Brainstorm" and the dance-friendly "Gotta Be You," (check out the video, below!) push the envelope of kids' music in satisfying ways, as 23 Skidoo has always done. There's a similar shift in the words, with an eye to the issues preteens face in school and life in general.

Then of course, there are the guest artists. For 23 Skidoo, who seems to be uncommonly plugged into the entire eastern seaboard's worth of musicians, that includes both another of our family's favorite kids' artists (Molly Ledford of Lunch Money, who's guested with so many of our favorite artists already that we're half expecting her to turn up on the next Radiohead album) and some remarkable talent we weren't previously aware of (singer Kellin Watson, indie-folk cellist Ben Sollee).

It's yet another story in the brick house of great music 23 Skidoo has been building over the years. And while I can't quite imagine what he's going to do when he gets to his teen album—doesn't it stop being kids' music at that point, and isn't there quite a bit of music-industry hip-hop marketed to that age group already?—I must also remember that there was a time I couldn't imagine good hip-hop for kids to begin with. And that this is the guy who changed all that. In fact, if there's one thing I've learned covering this beat, it's this: Never underestimate Secret Agent 23 Skidoo.

[Images courtesy of Secret Agent 23 Skidoo]

New Music: Can You Canoe?

The good news first: The fourth album from the Okee Dokee Brothers, the guys who helped bring bluegrass into the modern kindie-music mix, is their best yet. Themed around a real canoe trip the two band members, Joe Mailander and Justin Lansing (who've been friends since childhood) took down the Mississippi River last summer from Minnesota to St. Louis, Can You Canoe? features snappy versions of classic American folk songs ("Haul Away Joe," "The Boatman's Dance," "King Kong Kitchie Kitchie Ki-Me-O") as well as their own original compositions, all created on the trip itself. All 15 tracks, new and old, are played masterfully, and are full of an infectious, upbeat spirit that will appeal to kids and parents alike.

Now, the great news: The audio CD (as opposed to the MP3 download) comes with a supplemental DVD, featuring a 40-minute film about the Okee Dokees' canoe trip, shot on location along the entire journey. And it's spellbinding—the kind of DVD your kids make you play again immediately the moment it's over. You won't mind, either, because the film is remarkably well done, and endearing to boot. (I've embedded a preview that captures the feel of the film perfectly below.) The two friends entertainingly show kids how much fun an outdoors trip can be, offer them a rare window into the creative process of songwriting, and even provide some impromptu geography lessons. (Both our kids now have a much better idea of where in the country the Gateway Arch is located.) It's a real achievement.

Combine the two, and Can You Canoe? offers kids more than an hour's worth of enjoyable entertainment that's no less fun for being, well, kinda wholesome. (It's like one of those high-fiber, low-sugar cereals your kid miraculously can't get enough of.) And the Okee Dokees are clearly having such a good time making it that it may well inspire your kids to ask for some family outdoorsy adventures of their own this summer.

P.S.: If you happen to be in the Minneapolis area this weekend, you can even catch the official CD-release show—a free show, I should add—at Father Hennepin Bluffs Park tomorrow, Saturday, May 19th, at 11 a.m.



[Cover image courtesy of the Okee Dokee Brothers]

Role Models

At the Recess Monkey show in New York last weekend (fantastic, of course), I finally had the pleasure of meeting two fellow kid-entertainment bloggers whom I've known virtually for some time but never had actually met in person: Jeff Bogle of Out with the Kids, and Stefan Shepherd of Zooglobble.

And it occurs to me that, while I do have both sites linked somewhere over there on the sidebar, I have never taken the time to tell the readers of this blog: You'll get more useful information, more detail, and just way more good stuff in general on the subjects I cover at those two sites. (OTWK covers all the subjects I cover and more, while Zooglobble focuses specifically—and very, very comprehensively—on kids' music.) They are what I, in my most dreamlike moments, aspire to achieve with YKFK, pretty much always falling short.

On the probably very remote chance that you don't already, you should definitely check both of 'em out.

New Music: Invisible Friends

Dean Jones is everywhere. In the kindie-music scene, anyway: Producing albums by leading lights of the genre like Recess Monkey, The Deedle Deedle Dees, and Elizabeth Mitchell, as well as the wonderful Many Hands kids'-music compilation, which has raised more than $60,000 for Haiti earthquake relief to date. (He also collaborated with folk-rock band the Felice Brothers on a solo kids' album of his own, Rock, Paper, Scissors, back in 2010.)

But somehow, amid all that, Jones is still also the frontman of a leading-light kindie band of his own, Dog on Fleas, whose seventh CD, Invisible Friends, just came out. It's another toe-tapping, dance-inducing pleasure all the way through its 16 tracks, from the catchy "Treehouse" and the sweet, Paul Simon–esque "Fortunate Mistake" to the reggae-tinged "Charm Them Birdies."

The whole album is equally diverse in its influences, which range from late Talking Heads to Jack Johnson and Dan Zanes to both the adult and kid albums of They Might Be Giants to Deee-Lite to...is that Nino Rota? Like the prior Dog on Fleas albums, it's all upbeat and lots of fun for kids and parents alike.

And those kids and parents from the area around lower New York state will have a few chances to see Dog on Fleas live in June—first at the official party for this very CD on June 9 in the band's hometown of Rosendale; then on June 16 at the massive Clearwater Festival in Croton-on-Hudson (hey, that's my hometown!); and finally in what I suppose must be one of all kindie music's hometowns, Brooklyn, at Albee Square Park on June 28.

[Cover image courtesy of Dog on Fleas]

In Concert: Kindiefest 2012

A quick Friday bulletin to parents in the NYC area: The annual Kindiefest music conference is coming up later this month in Brooklyn, the weekend of April 27 to 29. There are lots of speakers and events—check out the details at the website linked just above if you're a musician yourself and interested to know more—but as always, the festivities end with a public concert on Sunday, April 29 (at Brooklyn's Littlefield) featuring some of kindie music's leading lights.

This year's roster includes SteveSongs, WeBop, Moona Luna, and Big Bang Boom. Tickets are $12 apiece (infants get in free), and the show starts at 12 noon. (It is, as they say, an all-ages show.) If you're going to be in or near Brooklyn in late April, check it out!

New Music: The Little Red Hen & Other Stories

The Good Ms. Padgett is something of a throwback, in these days of ultrahip, genre-hopping children's music. Her second kids' CD, The Good Ms. Padgett Sings the Little Red Hen and Other Stories, contains four classic children's stories told in a combination of spoken word and song, with acoustic-guitar accompaniment that put me immediately in a retro frame of mind, as if I'd suddenly switched on an old TV set and found myself watching Carole and Paula on The Magic Garden. (I suppose I am forgetting that retro is ultrahip...)

But Padgett, whose real first name is Anna rather than The Good Ms., knows what she's doing. She honed her storytelling skills in front of some of our nation's most demanding audiences—Brooklyn preschoolers—and it shows. (It doesn't hurt, of course, that she has naturally great pacing and a lovely singing voice.)

She's savvy enough to have chosen stories—including one of my own childhood favorites, the Billy Goats Gruff—that fall into repeating patterns, allowing for the kind of musical repetition that hooks preschool-age kids immediately. They learn the simple melody the first time through, and then can sing along themselves each time the pattern comes around again.

Yes, Pete Seeger and hundreds before him have been using this technique for years, but there's a reason for that: It works. As proof, I offer up my three-year-old, Griff, who was mesmerized by The Good Ms. from hello. Since he is not, as a rule, mesmeriz-able at this age by anything, even ice cream, for much more than a minute, that's a pretty serious recommendation right there.

[Cover image courtesy of The Good Ms. Padgett]

New Music: Can't Wait

The influence of bands like Vampire Weekend (and, in some cases, the Broadway show Fela!) is widespread in today's music for kids, which is full of sunny African sounds and rhythms everywhere you turn. So when I first heard Can't Wait, the second album from Grenadilla, I first assumed it was part of that trend. (When will I learn not to assume things?)

Turns out the band's lead vocalist and songwriter, Debbie Lan, hails from Cape Town herself, and thus has a closer tie to kwela music and the African-style harmonies that inform Grenadilla's sound than the influence of any mere New York City band. Lan also happens to have a marvelous singing voice, clear and warm, that will make parents who are fans of Joni Mitchell, Rickie Lee Jones, and Natalie Merchant feel right at home; the group's ensemble vocal harmonies are likewise marvelous.

And the kids? Suffice it to say that within 12 bars of the first track on Can't Wait—the infectious "Sitting on Top of the World" (an original, by the way, not the '20s classic made famous by Al Jolson)—my son Dash had left the breakfast table to start dancing in the kitchen. A song that can distract a seven-year-old from pancakes? I'm not sure there's any higher praise for its creators.

[Cover image courtesy of Grenadilla]

New Feature: In the Moment

You'll notice at the right here a new feature on this blog—one I've essentially ripped off wholesale from my friend and former colleague and blogging role model Jenny Rosenstrach of Dinner, A Love Story. (I am giving it a different name here, though; I have some pride/shame.) 

"In the Moment" will be a short running list of each of my sons' favorites of the moment—books, songs, toys, movies, what have you, their passions of the day. I was playing with silly names for each of their lists, but when I started seriously thinking about using the horrible Harry Potter pun "Griff Adores" for his list, I backed away from the language games slowly.

Like so many kids, Dash and Griff are alternately obsessive and fickle, and in unpredictable ways, so I expect that certain items may stay on the lists for months, while others flit on and back off within days. I'll certainly write full posts about many or most of the items (or will have done so already, in some cases), but the lists will provide a fuller, more comprehensive view of the stuff our family likes most than I ever have time to cover in posts.


[Photo: Whitney Webster]

New Music: Celtic Christmas

Putumayo's compilations of children's music are such reliable standbys in the genre, so consistently good, that I end up never writing about them. I realize that doesn't sound as if it makes any sense, but it does: It's not because I take them for granted, exactly, but because I have this feeling everyone knows about them already. So in my mind, it's as if I were recommending this really great toy called Legos.

This, however, is not only not fair, it's not true. As I can still recall (when I try) from the days before I began covering kids' entertainment, it's entirely possible in the whirlwind that is being a parent to know about precisely nothing that came out after one's own childhood.

So let me take advantage of the approaching Christmas season to point out Putumayo's latest output, Celtic Christmas, a collection of 11 traditional Yuletide carols in, yes, Celtic renditions that range from peppy and energetic (David Huntsinger's take on "Angels We Have Heard on High") to dreamy and pensive (the French carol "Noel Nouvelet," beautifully performed by the only-seemingly-named-by-Jack-Black group DruidStone; my three-year-old insists on putting this track on repeat every time he hears it). There's even a Gaelic rendition of "White Christmas," aptly enough sung by Lasaidfhíona Ní Chonaola. Like just about every Putumayo kids' collection I've heard, Celtic Christmas is suitably atmospheric—in this case setting the perfect seasonal tone—while also featuring top-notch musicians throughout.

[Cover image courtesy of Putumayo]

Fids & Kamily Music Awards

I'm a little late to the party, but in case anyone missed it, I wanted to point out the winners of the 2011 Fids & Kamily Music Awards, which were announced back on November 19th. Many of my own favorite albums of the past year made the list. (I'm flattered to be among the voters, so that's not entirely a coincidence—though it's nice to see I'm not alone in my appreciation of Recess Monkey, Frances England, Lunch Money, and the rest!)

Anyway, if you're looking for some good kids' music for year's end—whether you're after the latest from a big name like Dan Zanes or a gem from an artist you didn't know before—this list is an excellent place to start.

New Music: Things That Roar

As I've mentioned before, it's always especially thrilling to get a great new children's CD from an artist I don't already know. Don't get me wrong: Our family eagerly looks forward to every new release from our favorite established artists, of course. But there's something special about happening on a gem without those prior expectations.

So I'm happy to report that the debut CD from Papa Crow (the recording moniker of Michigan-based singer-songwriter Jeff Krebs) belongs right up there with the latest Dan Zanes release. Things That Roar is quality indie folk-rock for kids, largely acoustic guitar (with some mandolin, ukelele, and steel guitar thrown in) in the vein of Zanes as well as James Taylor, Nick Drake, and the softer sides of Neil Young and R.E.M. (There's even a nod to Leonard Cohen, appropriately enough in the childhood fear–themed "I'm Not Afraid Anymore.") The 14 well-crafted songs cover basic kid themes (animals, balloons, growing families) in remarkably unsappy, satisfying ways; Krebs has the knack of letting a simple theme express itself without excess embellishment.

Papa Crow also capitalizes on simplicity's advantages in the music itself: His proficient but unflashy playing, and his and Kerry Yost's warm vocals, have had a soothing effect on parents and kids alike in our home. (This is all the more impressive when you read in the liner notes how the album was recorded: "at home late at night downstairs while the wee ones slept"—astounding, given how good these tracks sound. Technology, you continue to amaze me.)

Things That Roar feels like the ideal album to listen to with a toddler or infant—though my six-year-old loves it, too!—on a sleepy, snowy winter afternoon. It's nothing fancy, just (quietly) one of the year's best kids' CDs. I'm really glad I've had the chance to hear it.

[Cover image courtesy of Papa Crow]