I'm generally of the opinion that blogging, like love for Harvard undergrads, means never having to say you're sorry, but I feel I really ought to apologize for the even-lighter-than-usual posting over the November and December holidays. The regular winter-holiday excuses apply, but are as always no real excuse, since it's not as if I didn't know they were coming.
Anyway, it's time for my second annual belated best-of-last-year posts. This time, so as not to get bogged down with stuff I've already written about for a month, I'll alternate them with brand, spanking new-material posts. (And now that I've made that promise, I will endeavor to keep it.)
As I look over my favorite picture books and board books of last year, I see that they fall, sensibly enough, into two categories: the clever and the gorgeous. (OK, there's some overlap.)
THE CLEVER
This category is led by one of my finalists for best children's book of the year overall (admittedly, I haven't gone beyond finalists yet), Jon Klassen's marvelous, ever-so-slightly shocking I Want My Hat Back, about a bear who really, really wants his lost hat back. Though come to think of it, I was no less enthusiastic about the brilliant concept and execution of Hervé Tullet's remarkable meta-interactive print book, Press Here, while Ido Vaginsky's Spin displayed actual interactivity of the clever paper-engineering kind.
Rounding out the category were three sweet-clever titles. Both I and my three-year-old vacillate daily on which of them we love most, so I'll list them in alphabetical order to avoid false momentary favoritism. (And truly, we love them all equally.) Edwin Speaks Up, by April Stevens and the beloved-of-this blog Sophie Blackall, struck a chord with all toddlers who know they're the only sensible people in the family. In her Hopper and Wilson, Maria Van Lieshout channeled the warmth and poignance of A. A. Milne. And Diane Kredensor's Ollie & Moon combined illustrations with Sandra Kress's photography in a charming, evocative, and, yes, clever way.
THE GORGEOUS
This list is shorter, encompassing just two titles: Laura Carlin's stunning illustrative interpretation of the Ted Hughes classic The Iron Giant, and Sylvia Long's breathtaking nature illustrations accompanying Diana Hutts Aston's text in A Butterfly Is Patient. What it lacks in length, though, it makes up for in beauty. (And heck, the Hughes story is rather clever as well. So much for categorization?)
In my next 2011 wrap-up post (i.e., my post after next), I'll look at the year's top graphic-novels for kids, including a fantastic compilation I forgot to write about first time around.
[Cover image courtesy of Random House]
Showing posts with label Sylvia Long. Show all posts
Showing posts with label Sylvia Long. Show all posts
January 3, 2012
May 27, 2011
New Books: A Butterfly Is Patient

Spring took a little longer to settle in here in the Northeast this year—at least, the aspect of spring we dreamed about all winter, the part that doesn't involve massive amounts of rain. Now, it seems, the season of balmy but not hot and sticky weather, of flowering trees, of butterflies, is finally here, for a least a few weeks before summer kicks in.
So it's appropriate that the latest book in author Dianna Hutts Aston and prolific illustrator Sylvia Long's ravishing nature series is out now, too. A Butterfly Is Patient follows in the impressive footsteps of An Egg Is Quiet and A Seed Is Sleepy, but it's my favorite entry so far, largely because the subject matter lends itself especially well to Long's vivid aesthetic. As usual, Aston's text is just the right amount of background—she has a great feel for providing enough information for a solid base of knowledge, and then allowing the art to take over. (Which it certainly does.)
So while readers of this book do in fact get a good primer on the life cycle of butterflies, it‘s nothing like a dry biology textbook, thanks to the tapestry-like pages of golds and greens and violets that often seem about to fly off the page. A Butterfly Is Patient makes for a wonderful reading experience for kids with a strong interest in science and nature (and a pretty satisfying browse even for those with less of an interest). Not to mention a great way to celebrate spring.
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