Showing posts with label Barbara Brousal. Show all posts
Showing posts with label Barbara Brousal. Show all posts
July 2, 2012
New Music: Science Fair
I guess the first big wave of all-star music compilation albums for charity came in the 1980s, coming off the high-profile all-star singles of Band Aid and USA for Africa (though really George Harrison's Bangladesh concert in the mid-'70s probably inaugurated the general concept). Following the premise that whatever was big during the childhoods of those of us who are now parents will become big anew in children's entertainment, it's not shocking that we've started to see some great all-star kid-music compilations of late. The great thing these—besides the no-longer-even-remarkable fact that the genre indisputably has more than enough leading lights to fill several such CDs—is that the best ones give kids and parents a chance to sample the genre, and perhaps even find some new favorite artists.
The very best compilation I've come across is 2010's Many Hands: Family Music for Haiti, which raised $50,000 for relief after the Haitian earthquake, and now the label behind that album, Spare the Rock Records, has its second release. Science Fair was created to address the continued underrepresentation of women in science-related fields—all its net proceeds will be donated to Girls Inc.'s science-education program—and accordingly, it features songs about science written and performed by many of the kid genre's top female artists. (It's even co-produced by two of them, Elizabeth Mitchell and Lunch Money's Molly Ledford, along with Bill Childs and the ubiquitous Dean Jones.)
Many of our family's favorite artists are here with typically top-notch contributions—the aforementioned Lunch Money and Mitchell, as well as Frances England, Barbara Brousal (whose name may be unfamiliar, but whose gorgeous voice is unforgettable to any parent who wore out Dan Zanes's first several albums), and Secret Agent 23 Skidoo (here backing up MC Fireworks, aka his daughter, on the ebullient "Rocket Science"). A couple of bands known for their non-kid music make an appearance as well: '90s Brooklyn rock band Babe the Blue Ox with the dissonant, new-wave-y "Surfin' Minnesota" (which our three-year-old has dubbed his top pick on the album); and Mates of State with a fitting cover of Guided by Voices' "I Am a Scientist" (the video for which is below!).
And yet, the tour de force of the album, by vote of all four members of our family, is the somewhat lesser known—at least on the East Coast!—Lori Henriques's lyrically adept "Heisenberg's Aha!," in which she somehow manages to explain the uncertainty principle in the style of Kurt Weill. (And it's catchy—our seven-year-old pressed "repeat" several times after the first play!)
It all adds up to another top compilation from Spare the Rock that makes contributing to a good cause a doubly pleasurable experience.
[Cover image courtesy of Spare the Rock Records]
October 6, 2011
New Music: Little Nut Tree
Back in the anxious days before the arrival of my first son, I remember a work colleague who was already a parent asking me if I had any Dan Zanes albums yet. I didn't know the name, and she looked at me a little incredulously across the divide that is parenting before smiling and saying, "You're probably going to playing him a lot. And you'll be happy about that."
She was right. Maybe I'm partially biased for having lived in his home turf of Brooklyn for two of those early parenting years, but I think of Zanes as the quintessential modern children's musician, the archetype who encapsulates everything that sets the genre apart today from years past. Indie cred from a band popular with the generation that's now knee-deep in parenting? Check. (Zanes was the frontman for the Del Fuegos.) Eclectic guitar-based musical style featuring a dizzying array of guest stars, some of the celebrity variety (Deborah Harry, Natalie Merchant), others simply great musicians? Check. Known for putting on irresistibly charming and audience-friendly stage shows, no matter how large his popularity and the associated venue size grows? Check.
Zanes was one of the first musicians to nail the sweet spot of music for kids that their parents also actually enjoyed listening to. By this time, it's easy to take him almost for granted among the panoply of artists creating kid tunes with adult-music sounds, from rock to punk to hip-hop. But all along, Zanes and his band of "Friends," as he labels his band and guest artists each time out, have been putting out CD after CD of great music, expertly mixing traditional songs from the U.S. and around the globe with inspired original compositions.
On his latest, Little Nut Tree, Zanes and company maintain his high standard, with seeming (though surely not actual) effortlessness. In his accustomed laid-back, breezy style, he and his guests—this time including the likes of Sharon Jones and Andrew Bird as well as old Friends Rankin Don/Father Goose and the wonderful Barbara Brousal—offer up sweet songs from Jamaica, Haiti, Tunisia, and the American Populist movement of the 1890s, as well as a number of Zanes's own original compositions. As always, the arrangements and the playing are top-notch, the mood is upbeat and celebratory, and the overall effect is one big smile.
For me, Little Nut Tree is almost musical comfort food—sort of a continuing representation of the core of my existence as a parent—and I see it has a similar effect on my kids, especially my older son, who's been listening to Zanes's music (thanks to that colleague) from the very beginning. And for parents as unfamiliar with the artist as I was way back when: You're probably going to be playing him a lot. Go ahead and start with this one. In the meantime, feel ancient with me via this old Del Fuegos track, featuring some shots of the artist before the bright-colored jackets:
[Cover image courtesy of Dan Zanes & Friends]
She was right. Maybe I'm partially biased for having lived in his home turf of Brooklyn for two of those early parenting years, but I think of Zanes as the quintessential modern children's musician, the archetype who encapsulates everything that sets the genre apart today from years past. Indie cred from a band popular with the generation that's now knee-deep in parenting? Check. (Zanes was the frontman for the Del Fuegos.) Eclectic guitar-based musical style featuring a dizzying array of guest stars, some of the celebrity variety (Deborah Harry, Natalie Merchant), others simply great musicians? Check. Known for putting on irresistibly charming and audience-friendly stage shows, no matter how large his popularity and the associated venue size grows? Check.
Zanes was one of the first musicians to nail the sweet spot of music for kids that their parents also actually enjoyed listening to. By this time, it's easy to take him almost for granted among the panoply of artists creating kid tunes with adult-music sounds, from rock to punk to hip-hop. But all along, Zanes and his band of "Friends," as he labels his band and guest artists each time out, have been putting out CD after CD of great music, expertly mixing traditional songs from the U.S. and around the globe with inspired original compositions.
On his latest, Little Nut Tree, Zanes and company maintain his high standard, with seeming (though surely not actual) effortlessness. In his accustomed laid-back, breezy style, he and his guests—this time including the likes of Sharon Jones and Andrew Bird as well as old Friends Rankin Don/Father Goose and the wonderful Barbara Brousal—offer up sweet songs from Jamaica, Haiti, Tunisia, and the American Populist movement of the 1890s, as well as a number of Zanes's own original compositions. As always, the arrangements and the playing are top-notch, the mood is upbeat and celebratory, and the overall effect is one big smile.
For me, Little Nut Tree is almost musical comfort food—sort of a continuing representation of the core of my existence as a parent—and I see it has a similar effect on my kids, especially my older son, who's been listening to Zanes's music (thanks to that colleague) from the very beginning. And for parents as unfamiliar with the artist as I was way back when: You're probably going to be playing him a lot. Go ahead and start with this one. In the meantime, feel ancient with me via this old Del Fuegos track, featuring some shots of the artist before the bright-colored jackets:
[Cover image courtesy of Dan Zanes & Friends]
Subscribe to:
Posts (Atom)